Far from it, as both Atomic Fiction and Cantina Creative helped augment what had been achieved in-camera in several sequences. We wanted to do a very contemporary looking piece with the latest tech and small cameras, immersing this audience and putting them in the driver’s seat at 180 miles an hour.” Aaron Paul and Imogen Poots stay in Need for Speed.Īlthough that meant that each stunt and special effect would be attempted practically, it did not preclude the use of visual effects. “There was a sense of raw energy that just comes across so nicely with those older films. “Scottie wanted the film to be a throwback to the 60s and 70s style of the old race car movies back in the day of say Bullitt and Road Warrior,” DOP Shane Hurlbut told fxguide. So when his new film – based on the popular EA video game series – came about, it was clear that Waugh had the knowledge, and audacity, to make the scenes of street racing, crashes and other stunts for real. Need for Speed director Scott Waugh was once himself a stunt performer and co-ordinator.
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